Horror films often treat women as victims who are often stereotyped as ditzy,

blonde, sex obsessed and popular with others. Typically these girls are just arm candy on the males of the group and often end up victim to the murderer early on in the film. Often young girls, mainly teenage are focused on by the narrative, they appeal to the male audiences due to their good looks and female audiences can relate to them. Teenage girls often display a sense of naivety, innocent and preoccupation with other things which makes them often overlook that rustling bush or that creaking floorboard...
Visually women are not very often in high numbers such as in Stanley Kubrick’s “The
Shining (1980)” has Wendy as the only main female character while there are three male characters:

Danny, Jack and Dick and overall there are only around five women with speaking roles in the whole film while there are around ten males with speaking roles. Although Halloween (John Carpenter 1978) features the main characters that are mostly female, they are younger and the men are in older roles. We see very few female characters over the age of 40, where the male roles are wider in age range which could be an attempt to appeal to the films 18-24 male audience that populated the horror film audience.

The women that do feature in horror films are often in one of four roles. The first is “marital or familial”. These are characters that are quite stereotypically close to their family and play a ‘good girl’ role. The next is “domestic”, often final girl’s are in this role, they often stay at home, are intelligent and opt out of sexual activities that the men and sexually permissive friends take part in. Thirdly is “consumer”, a character obsessed with shopping, vanity and materialism, another role the “final girl” doesn’t usually fit into often, not concerned with personal appearance and more interested in school work. The final role is “sexual” and this is what many of the females in horror films are, they are seen as ‘eye candy’ and often engage in sexual activities which often gets them murdered as the couple that have sex are often the least connectable to the audience.
The women are often seen through the men’s viewpoints, the “male gaze”, this makes the female characters unable to connect to the audience as they are only the object for the males to gaze upon. The “male gaze” is often a full pan up the woman’s body from her legs and upwards. This often helps us identify who the female character with a sexual role will be. The “male gaze” puts us in the mans point of view and helps us establish him as essential to the plot which often then connotates to us as an audience that there is not anything more to the woman than a sexual object.
Many if not all horror films feature a “final girl” character, one which survives the brutal attacks of the killer potentially defeating the killer herself. The final girl often has a name that unisex for example: Laurie (Halloween) and Sidney (Scream 1,2 and 3) This is an interesting role as the final girl normally outlives a majority of the characters including the males; this is suggesting that females are stronger in the horror roles despite often being presented and portrayed in the opposite way. The character of Laurie in the “Halloween” series is one of the first “final girls”, she is innocent, virginal, unisexly dressed, interested in education and unnoticed by the opposite sex. Her level headed attitudes and the fact that she doesn’t have a sexual relationship in the film seems to save her as both Lynda and Annie have lazy, workshy attitudes and both engage in sexual activities and boast about them and they end up being killed by the gruesome Michael Myers.

Wendy is the “final girl” role in “The Shining”, she progresses from a feminine character to one with more masculine qualities as she ends up fixing the boilers instead of Jack and she goes hunting around the hotel for danger instead of Jack again. Both of these characters however are pushed into these roles but as an audience we can sometimes assume who the final girl will be due to the narrative following her, a famous example of this not happening is in “Psycho” (Alfred Hitchcock, 1960) when Marion, who the narrative follows, is killed in the film and the true final girl is her sister Lila who is introduced from half way through.
Although in recent times the role of a final girl hasn’t always had the masculine qualities that help give her strength. Sarah Michelle Geller’s role as Karen in “The

Grudge” (Takashi Shimizu, 2004) is one that stays very feminine although she survives the film and is the final girl, she dies suddenly and early on in the sequel (The Grudge 2, Takashi Shimizu, 2006) possibly suggesting a comeuppance for not being the normal “final girl”. This idea progresses further with the 2009 film, Sorority Row (Stewart Hendler, 2009) the girls drink, have sex, gossip and swear but in the end the film

has three “final girls” and none ever really change from their cheerleader personalities.
These changes in the role and personality of a “final girl” role and the fact that the girls are becoming less like Laurie from “Halloween” but more like her friend Annie is possibly due to the increase in popularity of horror films by young female audiences. So despite many females still stereotyped as dim witted, blond and the most popular girl in high school may are ending up surviving these 21st century ghosts, monsters and physiological twists.